Abrams, M. H. ed. Literature and Belief. (English Institute essays," 1957) NY: Columbia UP, 1958 (S=J.Miles, 164)

_____ . The Mirror and the Lamp: Romantic Theory and the Critical Tradition. NY: Oxford UP, 1953. (S=J.Miles, 164) [HR]

Adams, Robert Martin. Strains of Discord, Studies in Literary Openness. Ithaca, NY: Cornell UP. 1958. (S=J.Miles, 164)

Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U. of Cal Press, 1975. [R, N7]

Atkins, J.W.H. English Literary Criticism: The Medieval Phase. Cambridge, Egl.: The University Press, 1943. (S=J.Miles, 164)

_____ . English Literary Criticism: The Renaissance. London: Methuen, 1957. (S=J.Miles, 164)

_____ . English Literary Criticism: Seventeenth and Eighteenth Centuries. London: Methuen, 1951. (S=J.Miles, 164)

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. NY: Doubleday Anchor. 1957. [HR; Traces the roots of Western Literature from their origins in two contrasting cultures -- the ancient Greeks and Hebrews. This is a real mind expander.]

Babbitt, Irving. The New Laokoon: An Essay on the Confusion of the Arts. Boston: Hougfhton Mifflin, 1910. (S=J.Miles, 164)

Barthes, Roland. Critique et verite. Paris: Seuil, 1966. [H, R, N7]

_____ . Essais Critiques. Paris: Editions de Seuil, 1964. [R, N7]

_____ . Le Plaisir du Texte. Paris: Seuil, 1973. [R, N7]

Barthes, Roland

Davidson, Hugh M. "The Critical Position of Roland Barthes" in Criticism: Speculative & Analytical Essays. ed. L.S. Dembo. Madison, WI: 1968. 93-102. [R, N7]

_____ . Romanticism and the Modern Ego. Boston: Little, Brown, 1943. (S=J.Miles, 167)

Bate, Walter Jackson. From Classic to Romantic: Premises of Taste in Eighteenth Century England. Cambridge, Mass.: Harvard UP, 1946. (S=J.Miles, 167)

Bateson, F.W. English Poetry and the English Language: An Experiment in Literary History. Oxford: The Clarendon Press, 1934.  (S=J.Miles, 167)

Battestin, Martin C. The Providence of Wit: Aspects of Form in Augustan Literature & the Arts. Oxford: Clarendon Press. 1974. [R, N7]

Beardsley, Monroe. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace, 1958. (S=J.Miles, 167)

Berenson, Bernard. Aesthetics and History. NY: Doubleday, 1959.  (S=J.Miles, 168)

Bergson, Henri. The Two Sources of Morality and Religion. NY: Doubleday, 1955. (S=J.Miles, 168)

Berlin, Isaiah.  Historical Inevitability. London: Oxford UP, 1954. (S=J.Miles, 168)

Berlyne, D.E. Conflict, Arousal, and Curiosity. NY: McGraw Hill, 1960. (S=J.Miles, 168)

Bewley, Marius. The Complex Fate. London: Chatto & Windus. 1952. (S=J.Miles, 168)

Blackmur, R.P. The Double Agent: Essays in Craft and Elucidation. NY: Arrow Editions, 1935. (S=J.Miles, 168)

_____ . The Expense of Greatness. NY: Arrow Editions. 1940. (S=J.Miles, 168)

_____ . Form and Value in Modern Poetry. Garden City: Doubleday. 1957. (S=J.Miles, 168)

_____ . Language as Gesture: Essays in Poetry. NY: Harcourt, Brace , 1952. (S=J.Miles, 168)

Blanchot, Maurice. L'Espace Litteraire. Paris: Gallimard. 1955. (S=J.Miles, 168)

Blanshard, Brand. On Philosophical Style. Manchester, Eng.: Manchester UP, 1954. (S=J.Miles, 168)

Bodkin, Maud. Archetypal Patterns in Poetry: Psychological Studies of Imagination. London: Oxford UP, 1934. (S=J.Miles, 169)

_____ . Studies of Type-Images in Poetry, Religion, and Philosophy. London: Oxford UP, 1951.  (S=J.Miles, 169)

Booth, Wayne C. Critical Understanding: The Powers & Limits of Pluralism. Chicago: U of Chicago Press, 1979. [R, N7]

_____. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961. [HR; a major book]

Bosanquet, Bernard. History of Aesthetics. 2nd ed. London: Allen & Unwin, 1904. (S=J.Miles, 169)

Boulding, Kenneth E. The Image: Knowledge in Life and Society. Ann Arbor: U of Michigan P, 1956. (S=J.Miles, 169)

Boulton, Marjorie. The Anatomy of Prose. London: Routledge & Kegan Paul, 1954. (S=J.Miles, 169)

Bradbury, Malcolm. "Towards a Poetics of Fiction. 1) An Approach through Structure" Novel, Fall, 1967. 1:1. 45-52. [HX, R, N7]

Bram, Joseph. Language and Society. NY: Doubleday. 1955. (S=J.Miles, 169)

Bray, J.W. A History of English Critical Terms. Boston, 1898. (S=J.Miles, 169)

Brenton, T.R. An Essay on Poetics. Oxford: Oxford UP, 1932. (S=J.Miles, 170)

Brooks, Cleanth. Modern Poetry and Tradition. Chapel Hill: Univ. of NC Press. 1939. (S=J.Miles, 170)

_____ ., and Robert Penn Warren. Understanding Poetry: An Anthology for College Students. NY: Henry Holt, 1938. (S=J.Miles, 170)

_____. The Well Wrought Urn: Studies in the Structure of Poetry. NY; HBJ, Harvest Book. 1947. [HR]

Brower, Reuben. The Fields of Light. London: Oxford UP, 1951. (S=J.Miles, 170)

Brown, Merle. Neo-Idealistic Aesthetics. Detroit: Wayne State UP. 1965. (S=J.Miles, 170)

Bundy, Murray Wright. The Theory of Imagination in Classical and Medieval Thought. "University of Illinois Studies in Language and Literature," Vol. XII. Urbana: Univ. of Illinois Press. 1927. (S=J.Miles, 171)

Bush, Douglas. Mythology and the Romantic Tradition in English Poetry. Cambridge, Mass: Harvard UP, 1927. (S=J.Miles, 171)

Caudwell, Christopher. Illusion and Reality: A Study of the Sources of Poetry. London: Lawrence and Wishart. 1937. (S=J.Miles, 172)

Chadwick, Hector Munro, and N. Kershaw. The Growth of Literature. Cambridge, Eng: The University Press, 1932-1940.  (S=J.Miles, 172)

Chandler, Albert. Beauty and Human Nature. NY: D. Appleton, 1934. (S=J.Miles, 172)

Cohen, Ralph. ed. New Directions in Literary History. Baltimore: John Hopkins UP, 1974. [R, N7]

Colum, Mary M. From These Roots: The Ideas That Have Made Modern Literature. NY: Charles scribner's Sons. 1937.  (S=J.Miles, 173)

Corti, Maria. Metodi e fantasmi. Milano: Feltranelli, 1969. [R, N7]

Crane, Ronald S. "The Concept of Plot and the Plot of Tom Jones," in Critics and Criticism, ed. R.S. Crane. Abridged edition. Chicago: Phoenix Books, 1957. 62-93. [H, R, N7]

_____ . ed. Critics and Criticism, Ancient and Modern. Chicago: Univ. of Chicago Press, 1952.  (S=J.Miles, 174)

_____ . The Languages of Criticism and the Structure of Poetry. Toronto: Univ. of Toronto Press. 1953.  (S=J.Miles, 174) [R, N7]

Croce, Benedetto. Logic as the Science of the Prose Concept. Trans. Douglas Ainslie. NY: Macmillan, 1917.  (S=J.Miles, 174)

Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. Ithaca: Cornell UP, 1975. [R, N7]

Curtius, Ernst Robert. European Literature and the Latin Middle Ages. Trans. Willard Trask. Bollingen Series, Vol. XXXVI.  NY: Pantheon, 1953.  (S=J.Miles, 174)

Daiches, David. The Place of Meaning in Poetry. Edinburgh: Oliver & Boyd. 1935.  (S=J.Miles, 174)

_____ . Poetry in the Modern World: England 1900-1939. Chicago: Univ. of Chicago Press. 1940.  (S=J.Miles, 174)

_____ . A Study of Literature: For Readers and Critics. NY: Norton, 1948, 1964. [R, N7]

Dallas, E. S. The Gay Scioence. London. 1866.  (S=J.Miles, 174)

Daniels, Earl. The Art of Reading Poetry. NY: Farrar & Rinehart, 1941.  (S=J.Miles, 175)

Danziger, Marlies K & W. Stacy Johnson. An Introduction to Literary Criticism. Boston: D.C. Heath, 1961. [R, N7]

Davidson, Hugh M. Audience, Words, and Art: Studies in Seventeenth-Century French Rhetoric. Columbus: Ohio State Univ. 1965.  (S=J.Miles, 175)

Davie, Donald. Poetics. Warsaw: Naukowe. 1961.  (S=J.Miles, 175)

Davies, H. S., Hugh Sykes, and George Watson, eds. The English Mind. Cambridge, Eng.: The University Press. 1964.  (S=J.Miles, 175)

De George, Richard T. & M. Ferdinand. eds. The Structuralists: From Marx to Levi-Strauss. Garden City, NY: Anchor, 1972. [R, N7]

de Man, Paul. Blindness & Insight. NY: Oxford UP, 1971. [R, N7]

Deutsch, Babette. This Modern Poetry. NY: W.W. Norton, 1935. (S=J.Miles, 175)

Donohue, James John. Ancient Classifications of Literature. Dubuque, IA.: Loras Collefe Press. 1943.  (S=J.Miles, 176)

Downey, June E. Creative Imagination: Studies in the Psychology of Literature. London: Kegan Paul. 1929. (S=J.Miles, 176)

Drew, Elizabeth. Directions in Modern Poetry. NY: W.W. Norton, 1940. (S=J.Miles, 176)

_____ . Discovering Poetry. NY: W.W. Norton, 1953. (S=J.Miles, 176)

Dudley, Louise and Austin Faricy. The Humanities: Applied Aesthetics. NY: McGraw-Hill, 1940. (S=J.Miles, 176)

Duncan, Hugh Dalziel. An Annotated Bibliography on the Sociology of Literature. Chicago, 1947. (S=J.Miles, 177)

_____ . Communication and Social Order. NY, 1962. (S=J.Miles, 177)

Durham, W.H. ed. Critical Essays, 1700-1725. New Haven: Yale UP, 1925. (S=J.Miles, 177)

Eagleton, Terry. Marxism and Literary Criticism. Berkeley: U of Cal Press, 1976. [R, N7]

Earle, John. English Prose. NY: G.P. Putnam's Sons. 1891. (S=J.Miles, 177)

Eastman, Max. Enjoyment of Poetry with Other Essays in Aesthetics. NY: Charles Scribner's Sons, 1939. (S=J.Miles, 177)

_____ . The Literary Mind: Its Place in an Age of Science. NY: Charles Scribner's Sons, 1932. (S=J.Miles, 177)

Ehrlich, Victor. Russian Formalism. The Hague: Mouton, 1955. (S=J.Miles, 177) [H,R, N7]

Eikhenbaum, Boris M. "Literary Environment," in Readings in Russian Poetics. ed. Ladislav Matejka & Krystyna Pomorska. Cambridge: MIT Press, 1971. 56-66. [R, N7]

Eliade, Mircea, The Myth of the Eternal Return, or Cosmos and History, trans. Willard R. Trask, Bollingen series 46. Princeton UP, 1954.[S=Chopin, Awakening, 272]

Eliot, T.S. "The Borderline of Prose." New Statesman, IX (1917), 157-519. [sic] (S=J.Miles, 177)

_____. The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England. "Norton Lectures," 1932-1933. Cambridge: Harvard UP, 1933. (S=J.Miles, 177)

Elliott, Robert C. The Power of Satire, Magic, Ritual, Art. Princeton: Princeton UP, 1960. (S=J.Miles, 177)

Ellis, A. Williams. An Anatomy of Poetry. NY: Macmillan, 1922. (S=J.Miles, 177)

Empson, William. Seven Types of Ambiguity. London: Chatto & Windus. 1930 (S=J.Miles, 177) [R, N7]

_____ . Some Versions of Pastoral. London: Chatto & Windus, 1935. (S=J.Miles, 177)

_____ . The Structure of Complex Words. London: Chatto & Windus. 1951. (S=J.Miles, 177)

Evans, Joan. Pattern: A Study of Ornament in Western Europe from 1180 to 1900. Oxford:: The Clarendon Press, 1931. (S=J.Miles, 178)

Faris, Nabile Armin., ed. The Arab Heritage. Princeton: Princeton UP, 1944. (S=J.Miles, 178)

Finney, Gretchen. The Musical Background for English Literature. Brunswick, N.J.: Rutgers UP, 1962. [S= Miles, Josephine, Style, 178]

Fletcher, Angus. Allegory. Ithaca, NY: Cornell UP, 1964. [S= J. Miles, Style, 178]

Foakes, R.A. The Romantic Assertion: A Study in the Language of Nineteenth-Century Poetry. London: Methuen, 1958. [S= J. Miles, Style, 178]

Formalism:

Pomorska, Krystina. Russian Formalist Theory and its Poetic Ambiance. The Hague: Mouton, 1968. [R, N7]

Scholes, Robert. "The Contributions of Formalism and Structuralism to the Theory of Fiction," Novel. Vol. 6, No. 2 (Winter 73). 134-151. [HX, R, N7]

Thompson, Ewa M. Russian Formalism and Anglo-American New Criticism. The Hague: Mouton, 1971. [R, N7]

Foucault, Michel, The Order of Things: An archeology of the Human Sciences. NY: Vintage, 1973. [S=Chopin, Awakening, 287]

Freudian:

Hoffman, Frederick. J. Freudianism and the Literary Mind. Baton Rouge: Louisiana State UP, 1945. [S= Miles, J. Style, 183]

Friedrich, Carl J. "The Baroque Age," Horizon, II, No. 6 (July, 1960), 33-64. [S= J. Miles, Style, 179]

Friedrich, Paul. The Meaning of Aphrodite. Chicago: Univ. of Chicago Press, 1978. .[S=Chopin, Awakening, 280]

Frye, Northrop. Anatomy of Criticism. Princeton, NJ: Princeton UP, 1957. [R, N7]

_____. Fables of Identity: Studies in Poetic Mythology. NY: Harcourt, Brace & World, Inc. 1963 [PR 503 .F7] [R This is a fascinating, but difficult book.]

_____ . ed. Sound and Poetry. "English Institute Essays," 1956. NY: Columbia UP, 1957. [S= J. Miles, Style, 179]

Furst, Lilian R. Romanticism. London: Methuen. 1976. [R, N7]

Gardiner, Patrick. The Nature of Historical Explanation. London: Oxford UP, 1961. [R, N7]

Gardner, Martin. The Ambidextrous Universe. NY: Basic Books, 1964.[S=Miles, J. Style, 179]

Garvin, Paul. ed. & trans. A Prague School Reader on Esthetics, Literary Structure, and Style. Washington, D.C.: Washington Linguistics Club, 1955. [R, N7]

George, Albert Joseph. The Development of French Romanticism: The Impact of the Industrial Revolution on Literature. Syracuse Univ. Press, 1955. [H, R, N7 4+]

Gibson, Walter. Poems in the Making. Boston: Houghton Mifflin, 1963.  [S=Miles, J. Style, 180.]

Gilbert, Katherine E. and Helmut Kuhn. A History of Aesthetics. NY: Mosher, 1939.  [S=Miles, J. Style, 180.]

Girard, Rene. Mensonge romantique et verite romanesque. Paris: Grasset, 1961. [R, N7]

_____ . "To double business bound,": Essays on Literature, Mimesis, and Anthropology. Baltimore: John Hopkins, 1978. [R, N7]

Gleckner, Robert F. & George E. Enscoe. Romanticism: Points of View. Englewood Cliffs: Prentice-Hall, 1972. [R, N7]

Goldmann, Lucien. Pour une sociologie du roman. Gallimard, 1964. [R, N7]

Goodman, Paul. The Structure of Literature. Chicago: Univ. of Chicago Press. 1954. [HR]

Gordon, Kate. Esthetics. NY: Henry Holt, 1927.  [S=Miles, J. Style, 180.]

Graves, Robert. Contemporary Techniques of Poetry: A Political Analogy. London: L. & Virginia Woolf, 1925.  [S=Miles, J. Style, 180.]

_____ . The Reader Over Your Shoulder. NY: Macmillan, 1943.  [S=Miles, J. Style, 180.]

Green, F. C. "Some Observations on Technique and Form in the French Seventeenth and Eighteenth Century Novel" in Stil-und Formprobleme in der Literatur, ed. R.W. Zandvoort. Heidelberg, 1959. 208-215. [R, N7]

Gregg, John R. The Language of Taxonomy. NY: Columbia UP, 1954.  [S=Miles, J. Style, 181.]

Grossvogel, David I. Limits of the Novel. Ithaca: Cornell UP, 1968. [R, N7]

Grube, G.M.A. The Greek and Roman Critics. London: Methuen, 1965.  [S=Miles, J. Style, 181.]

Guerin, Wilfred L. et al. A Handbook of Critical Approaches to Literature. NY: Harper & Row, 1966. [R, N7]

Guyard, M. F. La Litterature comparee. Paris, 1961. [H, R, N7]

Halperin, John ed. The Theory of the Novel. NY: Oxford UP, 1974. [R, N7]

Halsted, John B. ed. Romanticism: Problems of Definition, Explanation, and Evaluation. Englewood: D.C. Heath, 1965. [R, N7]

Hamburger, Kate. The Logic of Literature. 2nd ed. Trans. Marilynn J. Rose. Bloomington: Indiana UP, 1973. [H, R, N7]

Hardison, O.B., Jr., ed. Modern Continental Literary Criticism. NY: Appleton-Century-Crofts, 1965.  [S=Miles, J. Style, 182.]

Hardy, Barbara. The Appropriate Form: An Essay on the Novel. London: Athlone Press, 1964. [R, N7]

Harris, R. W. Reason & Nature in the Eighteenth Century. NY: Barnes & Noble. 1969. [R, N7]

Hartman, Geoffrey H. The Fate of Reading and Other Essays. Chicago: U. of Chicago Press, 1975. [R, N7]

_____ . Unmediated Vision, The. New Haven: Yale UP, 1954. [S= Miles, J. Style, 182.]

_____ . Wordsworth's Poetry. Nrw Haven: Yale UP, 1964l. [S= Miles, J. Style, 182.]

Hathaway, Baxter. Age of Criticism, The. Ithaca, NY: Cornell UP, 1962. [S= Miles, J. Style, 182.]

Hawkes, Terrence. Structuralism & Semiotics. Berkeley: U of Cal Press, 1977. [R, N7]

Heller, Erich. The Artist's Journey into the Interior and Other Essays. NY: Harcourt Brace, 1965. [R, N7]

Highet, Gilbert. The Classical Tradition: Greek and Roman Influences on Western Literature. NY: Oxford UP, 1949. [R, N7]

Holland, Norman N. The Dynamics of Literary Response. NY: Oxford UP, 1968. [R, N7 -- interesting]

_____ . Poems in Persons: An Introduction to the Psychoanalysis of Literature. NY: Norton, 1973. [R, N7]

Holloway, John. The Victorian Sage: Studies in Argument. London: Macmillan Co., 1953. [S= Miles, J. Style, 183]

Hough, Graham. The Last Romantics. London: Methuen, 1947 [1961] [R, N7; nice chapter on Yeats, pp. 216-262]

Hutchens, Eleanor N. "Towards a Poetics of Fiction: 5) The Novel as Chronomorph" Novel. 5:3 (Spring 72) 215-225. [R, N7]

Hyman, Stanley E. The Armed Vision. NY: Alfred A. Knopf, 1948. [R, N7 a nice survey of literary critics]

_____ . The Tangled Bank: Darwin, Marx, Frazer, and Freud as Imaginative Writers. NY: Atheneum, 1962. [S= Miles, J. Style, 185]

Ingarden, Roman. The Literary Work of Art. Trans. George G. Graborvicz. Evanston: Northwestern UP, 1973. [R, N7]

Jakobson, Roman. "The Dominant," in Readings in Russian Poetics, ed. Ladislav Matejka & Krystyna Pomorska. Cambridge: MIT Press, 1971. 82-91. [R, N7]

_____ . "Linguistics & Poetics" in Richard T. Fernandi & M. De George, eds. The Structuralists: From Marx to Levi-Straus. Garden City, NY: Anchor, 1972. 85-123. [R, N7]

Jamison, Fredric. The Prison-House of Language. Princeton: Princeton UP, 1972. [R, N7]

Kermode, Frank. "Novel, History and Type" Novel 1:3 (Spring, 68) 231-238. [R, N7]

Knight, Everett. A Theory of the Classical Novel. NY: Barnes & Noble, 1970. [R, N7]

Kristeva, Julia. Powers of Horror: An Essay in Abjection. Trans. Leon S. Roudiez. NY: Columbia UP, 1982.  [S=Chopin, Awakening, 290]

_____. Le Texte du roman. The Hague: Mouton, 1970. [R, N7]

Langer, Suzanne K. Problems of Art. NY: Scribners, 1957. [H, R, N7]

Lewis, C.S. The Allegory of Love. London: Oxford UP, 1938. [R, N7]

Lubbock, Percy. The Craft of Fiction. NY: Viking Press, 1957. [R, N7]

Lukacs, Georg. Realism in Our Time. Trans. John & Necke Mander. NY: Harper Torchbooks. 1964. [R, N7]

_____ . Studies in European Realism. Trans. Edith Bone. London: Hillway, 1950. [R, N7]

_____ . The Theory of the Novel. Trans. Anna Bostock. Cambridge: MIT Press, 1971. [H, R, N7]

Lichtheim, George. George Lukacs. NY`: The Viking Press, 1970. [R, N7]

Macy, John. The Story of the World's Literature. NY: Boni & Livrright [?]. 1925. [R, N7; skipable]

Miller, Stuart. The Picaresque Novel. Cleveland, 1967. [R, N7]

Muir, Edwin. The Structure of the Novel. NY: Harcourt, Brace, 1929. [R, N7]

Murray, John Middleton. The Problem of Style. London: Oxford UP, 1922. [R, N7]

Ogden, C.K. and I.A. Richards. The Meaning of Meaning. London: Routledge & Kegan Paul, 1960. [H, R, N7]

Peyre, Henri. What Is Romanticism? Trans. Roda Roberts. Univ. of Alabama?, 1977 [R, N7]

Piper, William B. The Heroic Couplet. Cleveland: Press of Case Western Reserve Univ., 1969. [R, N7]

Potter, George Reuben. The Idea of Evolution in the English Poets from 1744 to 1832, Doctoral Dissertation (unpublished), Harvard University. [S=Eiseley, 355 -- I'd love to get my hands on this.]

Pouillon, Jean. Temps et roman. Gallimard, 1946. [R, N7]

Poulet, Georges. Studies in Human Time. Trans. Elliott Coleman. NY: Harper Torchbooks. 1956. [R, N7]

_____ . The Metamorphoses of the Circle. Trans. Early Dawson & Elliott T. Coleman. Baltimore: Johns Hopkins, 1966.

Praz, Mario. Mnemosyne: The Parallel between Literature & the Visual Arts. Princeton UP: Bollinger Series, 1970. [R, N7]

Priestly, J. B. Literature & Western Man. NY: Harper & Bros, 1960. [R, N7]

Prince, Gerald. A Grammar of Stories: An Introduction. The Hague: Mouton, 1973.

Propp, A. IA. Morfologiia skazki. 2nd ed. Moskva: Nauka, 1969. [R, N7]

Robbe-Grillet, Alain. Pour un nouveau roman. Gallimard, 1963. [H, R, N7]

Rogers, Katharine M. The Troublesome Helpmate: A History of Misogyny in Literature. Seattle: University of Washington Press. 1966 [PN56 .W6 R6] [R, N7 -- a fascinating, and well-documented account]

Rougemont, Denis de. Love in the Western World. Trans. Montgomery Belgion. Greenwich: Fawcett, 1956. [H, R, N7]

Sacks, Sheldon. Fiction and the Shape of Belief. Berkeley: U. of Cal Press, 1967. [R, N7]

Sarraute, Nathalie. The Age of Suspicion. Trans. Maria Joles. NY: George Braziller, 1963. [R, N7]

Satin, Joseph. The Humanities Handbook. NY: Holt, Rinehart & Winston, 1969. [R, N7]

Schenk, H. G. The Mind of the European Romantics. Garden City: Doubleday Anchor, 1969 [R, N7]

Scholes, Robert, & Robert Kellogg. The Nature of Narrative. London: Oxford UP, 1966. [H,R,N7]

Scholes, Robert "On Realism and Genre" Novel 2:3 (Spr 69), 269-271. [R, N7]

_____ . Structuralism in Literature: An Introduction. New Haven: Yale UP, 1974. [R, N7]

Scott, Nathan A., Jr. Forms of Extremity in the Modern Novel. Richmond, VA: 1965. [R, N7]

_____ . The New Orpheus: Essays Toward a Christian Poetics. NY: Sheed & Ward, 1964. [R, N7]

Scott, Wilbur. Five Approaches of Literary Criticism. NY; Collier. 1962 [HR]

Secretan, Dominique. Classicism. London: Methuen & Co. 1973. [H, RN7]

Segel, Harold B. The Baroque Poem: A Comparative Survey. NY: Dutton, 1974. [R, N7]

Shipley, Joseph. Trends in Literature. N.Y. Philosophical Library, 1949. [R, N7]

Shklovskii, Viktor. Articles in Novyi Lef. Wm. Fink, 1927. [R, N7]

_____ . Gamburgskii Schet. Izdatel'stvo pisateli v Leningrade, 1928. [R, N7]

_____ . Kon Konia. M-Berlin: Gelikon, 1923. [R, N7]

_____ . Mater'yal i stil' v romane L'va Tolstogo "Voina i mir." Federatsiia, 1930. [R, N7]

_____ . O teorii prozy. Moskva: Federatsiia, 1929. [R, N7]

_____ . Rozanov. Opoiaz, 1921; Ann Arbor, 1963. [R, N7]

Shklovskii
Sheldon, Richard R. Viktor Borisovich Shklovskii: Literary Theory & Practice, 1914-1930. Ph.D. dissertation. Univ. of Michigan, 1966. [R, N7]

Slatoff, Walter J. With Respect to Readers. Ithaca: Cornell UP, 1970. [R, N7]

Smith, James H. & Edd W. Parks. The Great Critics. 3rd ed. NY: Norton, 1967. [H, R, N7]

Sontag, Susan. Against Interpretation. NY: Delta, 1966. [R, N7]

Spender, Stephen. The Struggle of the Modern. Berkeley: Univ. of California Press. 1963. [HR]

Spitzer, Leo.Linguistics and Literary History: Essays in Stylistics. Princeton: Princeton University Press. 1948, 1970. [HR]

Stevick, Philip, ed. The Theory of the Novel. NY: Free Press, 1967. [R, N7]

Sypher, Wylie. Four Stages of Renaissance Style: Transformations in Art & Literature 1400-1700. Garden City: Doubleday Anchor. 1955. [R, N7]

_____ . Rococo to Cubism in Art & Literature. NY: Random House. 1960. [R, N7]

Todorov, Tzvetan. "Structural Analyses of Narrative." Trans. Arnold Weinstein. Novel 3:1 (Fall 69) 70-76. [R, N7]

Tomashevskii, Boris. Kratkii kurs poetiki. 2nd ed. Chicago: Russian Language Specialties, 1969. (original edition Moskva-L: 1928) [R, N7]

_____ . "Literature and Biography" in Readings in Russian Poetics. ed. Vladislav Matejka & Krystyna Pomorska. Cambridge: MIT Press, 1971. 47-55. [R. N7]

_____ . Teoriia literatury. 4th ed. M-L: Goz Izdat, 1928; Ann Arbor: Ardis, 1971. [R, N7]

Tompkins, Jane P. ed. Reader Response Criticism: From Formalism to Post-Structuralism. Baltimore: Johns Hopkins UP, 1980. [H, R, N7]

Trilling, Lionel. The Liberal Imagination.Garden City: Doubleday Anchor, 1950 [1940]. [H, R, N7]

Trotsky, Leon. Literature and Revolution. Trans. Rose Strunsky. Ann Arbor: Univ. of Michigan Press, 1960. [R, N7]

Turner, Paul. "Novels, Ancient and Modern," Novel 2:1 (Fall 68} 15-24. [R, N7]

Tynianov, Iurii. Arkhaisty i novatory. Berlin.: Priboi, 1929 (Ann Arbor, 1962) [R, N7]

_____ . "Dostoevskii i Gogol": K teorii parodii" in O Dostoevskom: stat'i Providence: Brown Univ Slavic Reprint # 4, 1966, 151-196. [H, R, N7]

_____ . "Literaturnyi fakt" in Arkhaisti i novatori. Priboi, 1929 Ann Arbor, 1962. 5-29. [R, N7]

_____ . "The Meaning of the Word in Verse" in Readings in Russian Poetics. ed. Ladislav Matejka & Krystyna Pomorska, Cambridge: MIT Press, 1971. 136-148. [R, N7]

Ulmer, Gregory L. "Sociocriticism" Novel 11:1 (Fall, 77) 70-76. [R, N7 -makes an excellent distinction between "work" and "text."]

Uspensky, Boris. A Poetics of Composition. Berkeley: U of Cal Press, 1973. [R, N7]

Van der Eng, Jan & Mojmir Gaygar. eds. Structure of Texts and Semiotics of Culture. YThe Hague: Mouton. 1973. [R, N7]

Watt, Ian. The Rise of the Novel. Berkeley: U of Cal Press, 1957. [R, N7]

_____ . "Serious Reflections on The Rise of the Novel" Novel 1:3 (Spr 68) 205-218. [R, N7]

Weisstein, Ulrich. Comparative Literature and Literary Theory: Survey and Introduction. Trans. William Riggan. Bloomington: UIndiana UP, 1973. [R, N7]

Welleck, Rene. "The Concept of Realism in Literary Scholarship." in Concepts of Criticism. NY: Yale UP, 1963. [H, R, N7 5]

_____ . Discriminations: Further Concepts of Criticism. New Haven: Yale UP, 1970 [HR]

_____ . A History of Modern Criticism: 1750-1950. 5 vols. New Haven: Yale UP, 1955. [R Vol 1, N7]

_____. & Austein Warren  Theory of Literature.3rd ed. NY: HBJ, 1956. [HR]

West, Rebecca. The Court and the Castle: A recurrent theme in Shakespeare, the English novelists, Proust, and Kafka.  Toronto: Macmillan, 1957. [R, N7] West takes an unusual view of Hamlet -- he is a villain, not a hero, and moves from there through a fascinating exploration of the relationship between man and political authority.

Wilson, Edmund. Axel's Castle: A Study in the Imaginitive Literature of 1870 to 1930. NY: Charles Scribner's Sons, 1959. [H, R, N7]

 _____ . The Wound & the Bow. NY: Oxford UP, 1959. [R, N7]

Zatonskii, D. Iskusstvo romana i XX vek. Moskva: Khudozhestvennaya literatura, 1973. [H, R, N7]