March 9 , 2014
To the Master Collection ToC The KISS Grammar Home Page

KISS Level 1.1. Identifying Subjects and Finite Verbs


Notes for Teachers
Exercises in KISS Level 1.1
Ex # 1 Is It a Sentence?
Ex # 2 -  Recognizing Single-Word Verbs
Ex # 3 -  Finding the Complete Verb Phrase (Tenses)
Ex # 4a -  Finding the Complete Verb Phrase (Modal)
Ex # 4b -  Writing Sentences with Modal Helping Verbs
Ex # 5 - Other Helping Verbs
Ex # 6 -  More Practice with Helping Verbs
Ex # 7 -  Fill in thr blanks with interesting verbs.
Ex # 8 -  A Passage for Analysis
Ex # 9 -  Just for Fun
Other Exercises

 
Notes for Teachers

     The key to enabling students to understand the structure of their own writing is to enable them to identify the subjects and finite verbs in it. Even if you have been fairly well-taught in grammar, the odds are that you have never heard of "finite" verbs. That's because almost all instruction in grammar is really just an explanation of some grammatical terms. I am unaware of any grammar textbook that even claims to try to give students a practical understanding of grammar.
     Consider the typical instructions about subjects and "verbs." Students are given some basic definitions and are then asked to underline subjects once and "verbs" twice. But consider the sentence: 

Swimming is good exercise.
"Swimming" fits the typical definition of a verb, and thus many students would underline it twice. But in this sentence, it is not a verb; it functions as a noun and is a subject. Or consider the sentence:
They went to the store to buy some bread.
Here again, "buy" fits the typical explanation of a verb, but in this case, it functions as an adverb. Or consider still another:
The way to win a man's heart is through his stomach.
"Win" fits the typical definition of a verb, but in this case "to win" functions as an adjective to "way."
     As you will learn if you stay with KISS, verbs can function as nouns, adverbs, or adjectives. When they do so, they are called "verbals." Those verbs that students are really expected to underline twice are called "finite." Defining a "finite verb" for beginners is extremely difficult--the definitions require an understanding of other grammatical terms. But the ability to recognize finite verbs can be gained relatively easily by studying examples, or, in KISS practice, short exercises.
     The details of verbals are the focus of KISS Level Four, but some exercises (starting in KISS Level 1.2) do attempt to help students recognize verbals just so the students do not underline them twice. Here in KISS Level 1.1, our objective is to enable students to identify verbs in the first place. This is one of the most difficult parts of studying grammar, for two reasons. First, there are thousands of verbs in the language; and second, the same group of letters can be either a noun or a verb -- or something else. Just think of words like "look," "feel," "smile," "xerox," and even "like" itself.
     Thus, in KISS Level 1.1 our objective is to help students develop a basic "sentence sense" by giving them relatively short sentences (in short exercises) until they can almost automatically underline finite verbs and their subjects. Remember, however, that students are expected to make certain types of mistakes--such as underlining a verbal. On the other hand, once they have been taught that "am," "is," "are," "was," and "were" are always finite verbs, students should NEVER fail to underline them twice.

     Most textbooks provide a wide array of suggestions for identifying nouns and pronouns (for subjects) and for identifying verbs. There is, however, little if any evidence that any of these explanations are effective. See “Methods for Identifying Subjects and Finite Verbs,” below. If they help, use them. You may find, however, that the sheer number of suggestions (and exceptions within them) can be overwhelming. The objective of instruction (the “game,” so to speak) ought to be the analysis of sentences. In many cases, however, far too much time is spent on explanations of how to identify nouns, verbs, etc. There is a better way.
     Start instruction, not with the parts of speech, but with the analysis of sentences. If you are beginning in primary grades, you and your students have lots of time, so you can begin with very simple sentences. You can limit instruction to just two or three of these exercises every week until all (or at least almost all) of the students can do them almost without thinking. In the process, you can teach students to identify nouns and verbs. The verbs, of course, they will be underlining twice. But, instead of all those gimmicks for identifying nouns, students need simply learn that nouns (and pronouns) are the words that function as subjects (or, when you get to them, as objects of prepositions, etc.).
     As always in grammar, terminology causes problems. At this point in their work, students do not need to know terms such as "tense," "helping verbs," or "auxiliary" (another word for "helping"). They should, however, learn the term "phrase." A "phrase" is simply a group of words that work together as a unit, but do not include a subject and (finite) verb pattern. At this KISS Level, for example, students should learn to underline all the words in a verb phrase (such as "would have been walking"). Exercises three through six focus on the various types of helping verbs. But the purpose of the category names is to make sure that students are at least exposed to the verbs that create various verb phrases. How often, for example, will students run across "ought"? On the other hand, young writers will use "was going to…" and "kept on…" fairly often. Thus, if we want students to be able to analyze their own writing, we need to pay some attention to these verbs. 
     One of the problems in the grammar books is that they do not all agree on what is (and what is not) a "helping" verb. Some books, for example, include "need" and "dare" among "helping" verbs--for reasons that are not given. But if "need" is a helping verb, why isn't "want"? The KISS Approach to this is, of course, alternative explanations. In sentences such as 

He needed to go to the store.
He wanted to go to the store.
KISS allows students to consider "needed to go" or "wanted to go" as the finite verb phrase, especially in this KISS Level 1.1. (Exercise five, "Other Helping Verbs," focuses on this question. In it, you should probably accept either explanation as correct. If a student underlined "wanted" twice and does nothing with "to go," that is fine. It is, of course, also fine if they underline "wanted to go" twice.)
     You may or may not want to use the instructional material for Exercise # 5. It describes "start," "continue," "stop," "like," "love," "hate," "want," and "try" as "helping verbs." Instead, you might want to have them use the instructional material for exercise seven, "Verbs as Subjects or Complements," in KISS Level 1.3 "Adding Complements." The question here is, how much new information can you give your students without overwhelming them? You will almost certainly find that what students need here is practice. For justification for this approach, see the essay on Jerome Bruner's "spiral curriculum" in the "Background Essays."
     Exercise seven ("Fill-in-the-blanks with Verbs") is as much an exercise in vocabulary as it is an exercise in learning to identify verbs. It probably works best as an in-class activity. Give the students time to work alone to fill in the blanks, and then have them share their choices with the rest of the class. You might want to write the verbs on the board as the students give their suggestions. That way, you can have students discuss which words are most effective. Exercise eight is a short passage for analysis, and exercise nine is just for fun.

     The most important things:
1. Focus students' attention on how much they are learning.
2. Grammar should be meaningful and make sense. Students should understand why they are learning it. (See the KISS psycholinguistic model.) And as students are learning it, the definitions and exercises we give them should be sensible and useful.
3. Have fun! You may be surprised by the enjoyment that many students get out of simply seeing how much they have learned.
 
Exercises in KISS Level 1.1

Ex # 1 -  Is It a Sentence?
Instructional Material
Texts From Bunny Rabbit’s Diary by Mary Frances Blaisdell  ToC
What Is a Sentence? (From "Bunny Rabbit's Diary")
Ex # 1 AK G2
Ex # 2 AK "
Ex # 3 AK "
Sentence or Phrase? (Maxwell's Grammar) AK ToC G3; IG1
Is It a Sentence? (# 2 Adapted from Campbell's Voyages) AK ToC G4
Is It a Sentence? (# 3 Adapted from Campbell's Voyages) AK ToC G6
Is It a Sentence? (# 1 Adapted from Campbell's Voyages) AK ToC G9
Arranging Phrases into Sentences  (Maxwell's Grammar) ToC -
Ex # 2 -  Recognizing Single-Word Verbs
Instructional Material
From Ben and Alice AK ToC  IG1
Texts From Bunny Rabbit’s Diary by Mary Frances Blaisdell  ToC
Recognizing Subjects and Single-Word Verbs (From "A Christmas Tree")
Ex # 1 AK IG1
Ex # 2 AK IG1
Ex # 3 AK IG1
Ex # 4 AK IG1
From "Cinderella" Text AK ToC  
From "Dick Whittington"--The Verb "To Be" Text AK ToC  
From Vredenburg's "Hansel and Grethel" Text AK ToC G3
From Vredenburg's "The White Fawn" Text AK ToC G4
From Marshall's Robin Hood, Ex # 1 AK  ToC G5
From Heidi, by Johanna Spyri AK ToC G6
From A Tale of Two Cities, by Charles Dickens AK ToC G9
"The Three Little Pigs" AK ToC -
Ex # 2 from Potter's  The Tale of Tom Kitten Text AK ToC -
Ex # 3 - Finding the Complete Verb Phrase (Tenses)
Instructional Material
From Ben and Alice # 1 AK ToC  IG 1
From Ben and Alice # 2 AK ToC  IG 1
Ex. 1 from Blaisdell's "The Swimming Lesson" Text AK ToC G2; IG1
Ex. 2 from Blaisdell's "The Swimming Lesson" Text AK ToC G2; IG1
Ex. 3 from Blaisdell's "The Swimming Lesson" Text AK ToC G2; IG1
From Blaisdell's "Mrs. Duck's Secret" #1 AK ToC G2
From Blaisdell's "Mrs. Duck's Secret" #2 AK " "
Adapted from Voyages in English AK ToC (G2?)
From Vredenburg's "Hansel and Grethel" Text AK ToC G3
From Vredenburg's "Little Red Riding Hood" Text AK ToC G4
From Lassie, Come Home, by Eric Knight AK ToC G6
From Heidi, by Johanna Spyri AK ToC G7
From A Tale of Two Cities, by Charles Dickens AK ToC G9
Ex # 4 - Finding the Complete Verb Phrase (Modal)
[Instructional Material]
From "Mrs. Duck's Secret" by Mary Blaisdell # 1 AK ToC G2; IG1
From "Mrs. Duck's Secret" by Mary Blaisdell # 2 AK ToC G2; IG1
From Bunny Rabbit’s Diary by Mary Blaisdell #1 AK ToC G2; IG1
From Bunny Rabbit’s Diary by Mary Blaisdell #2 AK ToC G2; IG1
From The Haliburton First Reader AK ToC IG2
From Bunny Rabbit’s Diary by Mary Blaisdell #3
Writing Sentences with Modal Helping Verbs
- ToC -
Adapted from Voyages in English AK ToC (G2?)
From Vredenburg's My Favorite Fairy Tales AK ToC G3
From the Writing of Fourth Graders AK ToC G4
From Vredenburg's My Book of Favorite Fairy Tales AK ToC G5
From Lassie, Come Home, by Eric Knight AK ToC G6
From Heidi, by Johanna Spyri AK ToC G7
From Cooper's The Last of the Mohicans AK ToC G8
From A Tale of Two Cities, by Charles Dickens AK ToC G9
Ex # 4b - Writing Sentences with Modal Helping Verbs
The same exercise is  used for each grade level.
* Writing Sentences with Modal Helping Verbs
Ex # 5 - Other Helping Verbs
[Instructional Material]
From Bunny Rabbit’s Diary by Mary Blaisdell # 1 AK ToC G2; IG1
From Bunny Rabbit’s Diary by Mary Blaisdell # 2 AK " G2 IG1
From Bunny Rabbit’s Diary by Mary Blaisdell # 3 AK " G2
From Bunny Rabbit’s Diary by Mary Blaisdell # 4 AK " G2
From G. MacDonald's At the Back of the North Wind AK ToC G3
From M. Williams' The Velveteen Rabbit AK ToC G4
From Heidi, by Johanna Spyri AK ToC G6
From A Tale of Two Cities, by Charles Dickens AK ToC G9
Ex # 6 - More Practice with Helping Verbs
Based on Smythe's Old-Time Stories AK ToC IG1
From Mrs. Peter Rabbit, by Thornton Burgess (#1) AK ToC IG2
From Mrs. Peter Rabbit, by Thornton Burgess (#2) AK ToC IG2
Based on Pinocchio, The Tale of a Puppet, by C. Collodi AK ToC G3; IG3
From Vredenburg's "The White Fawn" Text AK ToC G4
Tom Swifties, Helping Verbs Ex # 1 AK ToC G5
From Lang's "Brave Walter" Text AK ToC G6
Tom Swifties, Helping Verbs Ex # 2 AK ToC -
From A Tale of Two Cities, by Charles Dickens AK ToC G9
Ex # 7 -  Fill in the blanks with interesting verbs.
For similar exercises in Level 1.8 and in the P/A books, see Level 1.8.
From The First Haliburton Reader AK ToC IG1
From Potter's The Tale of Mr. Jeremy Fisher Original Text ToC G3
From Potter'sThe Tale of Peter Rabbit Original Text ToC -
From Potter's The Tale of Tom Kitten Verb List ToC -
FiB with Verbs - "Bob, the Fire Dog" AK ToC G4
From Heidi, by Johanna Spyri AK ToC G5
From The Secret Garden, by Frances Hodgson Burnett AK ToC G6
From Washington Irving's Rip Van Winkle AK ToC G8
From Stephen Crane's "The Blue Hotel" AK ToC G9
Ex # 8 -  A Passage for Analysis
"Cock-Crow" (A Background Illustration for Teachers) AK ToC -
"The Boy in the Barn" (96 %) AK ToC G3
From "Reddy Fox Goes Fishing," by T. W. Burgess AK ToC G4
From Heidi, by Johanna Spyri AK ToC G6
"Horse Sense," by a Sixth Grade Writer AK ToC G6
The Opening of E. A. Poe's "The Cask of Amontillado" AK ToC G9
Ex # 9 -  Just for Fun
Why the English language is so hard to learn # 1 AK ToC G3
Why the English language is so hard to learn # 2 AK ToC G4
Why the English language is so hard to learn # 3 AK ToC G5
Why the English language is so hard to learn # 4 AK ToC G6
Why the English language is so hard to learn # 5 AK ToC G7
Why the English language is so hard to learn # 6 AK ToC G8
Why the English language is so hard to learn # 7 AK ToC G9
"Oconomowoc" (Humor) AK ToC G10
A Murder Mystery AK ToC G11
Other
Matching Subjects to Sentences (Maxwell L1 01 28) ToC -
Matching Subjects to Sentences (Questions) (Maxwell L1 01 29) ToC -
"The Buffoon and the Countryman" (Aesop)  RR AK -
Supplying Subjects  (Maxwell L1 01 30) ToC -
Creating sentences from subjects  (Maxwell L1 01 32) ToC -
Creating sentences from subjects  (Maxwell L1 01 33) ToC -
Supplying Subjects  (Maxwell L1 01 31) ToC -

Additional Methods for Identifying Subjects and Finite Verbs

Find the Verb First 

     Different people's minds work differently, and some people seem to find it easiest to identify subjects first and then the verb that goes with them. If you are stumped, try that, but it may be easier to identify verbs first. Several methods for identifying verbs have been proposed. Individually, none of them seem to be successful, but each may help.
     The first is the definition of verbs as words that "show action or state of being." The definition is basically true, but it is probably too vague — what is meant by "show," and by the even vaguer "state of being"? In 

She plays baseball.
"plays" shows action, but in
She made three excellent plays.
it names what she made. The difference is that in the first example, "plays" predicates action, whereas in the second it answers the question "She made what?" But this means that one must understand the concept of predication, and be able to apply it to a particular sentence, before one can use this part of the definition. 
     As for "state of being," I never knew what that meant, and still don't. (And I love philosophy.) Fortunately, the verbs that show state of being are limited in number and almost always used as finite verbs. They can simply be remembered: 
am, is, are, was, were
     Note that these words are extremely common. Students will do themselves a favor by memorizing the small list. A little practice and some common sense should help students recognize a few other common finite verbs: 
can (when it does not mean the thing) 
may (when it does not mean the month) 
might (when it does not mean strength) 
must (when it does not mean "necessity) 
will (when it does not mean desire, or the legal document)
     Suffixes such as "ing" and "ed" help to identify many words as verbs, but not every word that ends in "ing"is a verb.

      Another simple way to check to see if a word CAN BE a verb is to use it to fill in simple blanks to make acceptable sentences: 

She/They ______. 
She/They ______ it.
Generally speaking, only words that can function as verbs will make sense in the blanks, but that does not mean that the word functions as a verb in the sentence you are analyzing. 
     Another way of telling if a word can function as a verb is to test whether or not it can have number and tense. Grammatically, "number" refers to the difference between one (singular) and more than one (plural): 
He walks.     They walk.
Tense refers to the expression of time relationships:
Past:  He walked. He was walking. He did walk.
Present:  He walks. He is walking. He does walk. 
Future:  He will walk. He will be walking.
Suppose, for example, that you were attempting to decide if "time" is a verb in the following sentence: 
They time the contest.
In this sentence, you could change "time" to "timed" and still have a meaningful sentence. Thus "time" here functions as a verb. But in the sentence "Do you have the time?" "time" does not function as a verb because you cannot sensibly substitute "timed." 
     Perhaps a more helpful guideline is that words that can be verbs do not function as verbs when they are directly preceded by "a," "an," or "the," or by possessives (his, their, Mary's):
They made the play. 
She opened a can. 
It is Mary's can. 
The lawyer read the will. 
His will was short.


Verb Phrases 

     A verb phrase, in the simplest sense, is a group of verbs that work as a unit: 

They were working on the road. 
They would be working on the road for a long time. 
She is going to go to the store. 
He ought to read this book. 
Bill has to do his homework.
As you will see in Level Four, verb phrases can be analyzed into smaller pieces, but at Level Two, the students' primary objective should be to identify all the verbs in a phrase as a part of the phrase. Sometimes the words in a phrase are separated from each other: 
Would they like to come to supper? 
She has often said that they would. 
They do, in this case, have to go to court.


Finding Subjects

     Always work one pattern at a time — find the verb, find its subject(s), and then find its complement(s). I have seen many students who underline a verb here, another one there, then perhaps a subject from a different pattern somewhere else. Such students never know when they are done, and they almost never do a good job. Work systematically, sentence-by-sentence, one pattern at a time. 
     If you find the finite verb first, you can use what they teach in middle and high school to help you find its subject. Unfortunately, most textbooks don't give students everything they need. The books say, "Find the subject by making a question with 'who' or 'what.'" If the sentence is 
Sharon likes hamburgers.
students are supposed to ask the question "Who likes hamburgers?" which will give them the subject — "Sharon." This works fine for baby sentences, and even for some sophisticated ones.
     But what happens with: 
Some of these concepts are difficult.
We ask the question -- "Who or what are difficult?" And we get the answer — "concepts." We tell that to the teacher, and we're told that we're wrong. (Thanks a lot.) Actually, this scenario does not happen very often, because most teachers use exercises in grammar books, and the grammar books avoid such sentences in their exercises.
     And there is another problem: 
It was the manager who caught the thief.
We ask "Who was the manager?" and we get the correct, if meaningless, "it." We then ask "Who caught the thief?" Obviously it was the manager — but that's the wrong answer! "Manager" is the meaningful answer, but the grammatical subject of "caught" is "who."

     Because of these problems, in addition to the "who or what + verb" question, we need two additional rules: 

     1 If a verb is outside a prepositional phrase, its subject cannot be inside one.

     In our first example ("Some of these concepts are difficult.") this rule eliminates "concepts" from consideration, and in effect forces students to the only word left, "some," which is the subject. Prepositional phrases between subjects and their verbs are fairly common, so students' ability to identify prepositional phrases — KISS Level 1.5 — will make Level Two easier. 
     For practical purposes, if students are working at Level Two, they can ignore anything and everything in prepositional phrases as they look for subjects and verbs. Only one prepositional phrase in two hundred involves subjects and verbs, a percentage so low that it is not worth worrying about until students get to clauses — where the construction will become clear. (Again, one thing at a time!) 

     2. The complement of one verb can NEVER function as the subject of another. There are NO exceptions.

     This rule, firmly based on our psycholinguistic model of how the human brain processes language, resolves the second problem. In our example ("It was the manager who caught the thief.") "manager" is a predicate noun after "was," so it cannot be the subject of "caught." In most cases, as in this one, students will be left with only one word, usually "who," "which," or "that" which functions as the subject.

A Psycholinguistic Approach to Finding Subjects

     The basic sentence pattern of any sentence is subject / verb / optional complement. We each figured this out for ourselves, as babies, and to this day our brains still expect the same basic pattern. Generally speaking, our brains will take the first noun phrase as the subject of a sentence. As we grew older, however, we mastered a few exceptions. An important one involves words that denote time: 

Sunday, we will watch the ballgame.
Sunday is my favorite day of the week.
English uses nouns that denote time as adverbs to indicate when the action of the verb will take place. (This is one of the additional constructions explored in Level Five.) As a result, readers/hearers have to wait until further into the sentence before deciding whether or not the time-word is the subject. In the first example, as soon as a reader/hearer perceives "we," "we" is taken as the subject, and "Sunday" is processed as an adverb. But in the second example, the "is" after "Sunday" confirms that "Sunday" is the subject of the sentence.
     As explained in KISS Level One, prepositions never function as nouns. As a result, when readers/hearers perceive a preposition at the beginning of a sentence, they expect the object of that preposition before the subject of the sentence:
{In the winter}, they go sledding.
The initial preposition, in this case "in," devours "winter" such that "winter" is not eligible to be the subject of the sentence. So the next thing named, in this case "they," is. We will learn about a few other grammatical constructions that have this effect. But even without a conscious awareness of those constructions, students may be able to use this rule and their knowledge of English to help them identify subjects. With the exception of nouns that denote time, the brain will tend to take the first "free" noun or pronoun as the subject of a finite verb. Questions (Whom do you want?) are an exception to this rule. Other exceptions are explored in KISS Lev el 2.1.2 - Varied Positions in the S/V/C Pattern.