Feb. 13, 2014
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KISS Level 3.2.3 - Interjection? Or Direct Object?

Notes for Teachers
Exercise # 1 - Main Clause or Subordinate?
Exercise # 2 - Subordinate Clauses as Interjections
Exercises 3 (a & b) - Interjection or Direct Object?
Exercises 4 (a & b) Punctuation
Exercise # 5 - A Passage for Analysis
Exercise 6 - Treasure Hunt/Recipe Roster
Notes for Teachers

     Most grammar textbooks deal with the definitions of constructions rather than with the analysis of real sentences. As a result, they never address some questions that you and your students will run into as you analyze real texts. The following sentence, from Andrew Lang’s “Thumbelina,” is a relatively simple example of a clause that can be explained either as a direct object, or, reversing the subordination, an interjection:

“That will be splendid!” said she, clapping her little hands.
Most grammar textbooks would explain “That will be splendid!” as a subordinate clause that functions as the direct object of “said.” Within the KISS framework, that is an acceptable explanation. But these sentences can be more complicated. The following example is from Sherwood Anderson’s “The Egg”:
We must have been a sad looking lot, not, I fancy, 
unlike refugees fleeing from a battlefield.
In sentences like this, the “main” subject and verb are thrown (interjected) into the middle of what traditional grammars consider to be the subordinate clause that functions as a direct object. Because of sentences like this (and they are fairly numerous), KISS allows, indeed prefers, to consider the “said she” and “I fancy” clauses as subordinate clauses that function as interjections.

That will be splendid (PA)!” [Inj saidshe, clapping her little hands]. |

We must have been a sad looking lot (PN), not, [Inj Ifancy]
unlike refugees fleeing from a battlefield. |

In some cases, these clauses slide into what many grammar texts consider to be adverbial clauses. Consider the following, from A Dog of Flanders by Ouida:

It is folly, as I say, and evil waste of time: nevertheless,
it is like Alois, and will please the house-mother.
You can, of course, have your students explain the preceding “as I say” as an adverbial clause, and the other examples as direct objects, but you will probably find that the KISS Approach (considering these clauses as interjections) has the following advantages:
     1.) It saves time and paper. In a sentence such as “It was, I think, a big mistake.” you could have students rewrite the sentence as “I think it was a big mistake.” But that is a big waste of time.
     2.) Viewing these clauses as interjections highlights an important stylistic distinction. Even many college students write sentences such as “I think this is a good idea.” Indeed the frequency of such sentences leads many teachers to tell students not to use “I.” Many professional writers, however, would write this as “This is, I think, a good idea.” In other words, instead of making themselves the subject of the main clause, mature writers make the subject they are talking about the subject of the main clause — and then interject the fact that they are not totally certain of the statement.
     3.) If we put brackets around each part of the clause [It was,] I think, [a big mistake.] it appears that there are two subordinate clauses, when there are not. This can be very confusing for students when they are attempting to determine how many subordinate clauses they use per main clause in a statistical analysis of their own writing. Having students do at least one statistical exercise each year,  is strongly encouraged, since it enables students not only to apply what they have learned to their own writing, but also to evaluate the syntax of their writing in the context of that of their peers. The easiest way to do such an exercise is to have the students count the vertical lines (for the number of main clauses) and the opening brackets (for the number of subordinate clauses) in their analyzed paper. If the students have to watch for two sets of brackets for one subordinate clause, they will find such an analysis more difficult to do.
     4.) The KISS psycholinguistic model of how the mind processes language justifies viewing these clauses as interjections. Having dumped a main clause to long-term memory, short-term memory is cleared and the brain will take whatever it finds that can be a main S/V pattern as a main S/V pattern. (This is why subordinate clauses at the beginning of a sentence must have a subordinate conjunction). In our example, the brain would take “It was” as a main S/V pattern. It must then handle the “I think” (or “he said”) as a subordinate clause.
     5.) In some cases, viewing these clauses as interjections clarifies their similarity to adverbs that, in effect, function as interjections:
a.) Paul is hopefully going to the hospital.
b.) Paul is, hopefully, going to the hospital.
c.) Paul is, I hope, going to the hospital.
Sentence (a) means that Paul is hopeful, but in sentence (b) it is the writer (or speaker) who is hopeful and thus “hopefully” functions as an interjection. If it functions as an interjection, then why can we not see the “I hope” in (c) as also functioning as an interjection?

Main Clause or Subordinate?

     If you spend a fair amount of time analyzing randomly selected sentences, you will find that the distinction between main and subordinate clauses is not always clear. How many main clauses, for example, are in the following sentence from Hans Christian Andersen's "The Snow Queen":

You see that all our men folks are away, but mother is still here, and she will stay.
"[T]hat all our men folks are away" is clearly the direct object of "You see," but what about "mother is still here" and "she will stay"? Are they also direct objects, or are they separate main clauses? Either explanation makes sense, even though the different analyses imply different meanings. If we consider the last two clauses as subordinate, the sentence means that "You" already know this; if we explain them as main clauses, then the speaker is telling "You" things that they do not know.
     But when we start looking at quotations, the balance shifts, I would suggest, toward the explanation using the interjection. Consider the following from Vredenburg's "Prince Cheri":
"I am not mocking you," he heard in reply to his thoughts; "you have been bad tempered, and you have behaved unkindly to a poor animal who did not deserve such treatment. I know you are higher than a dog, but the advantage of being ruler of a great empire is not in doing all the harm one wishes, but in doing all the good one can." 
In terms of meaning, all the words in quotation marks are direct object of "heard." But those words are divided among two sentences and can easily be seen as five main clauses. 
"I am not mocking you," he heard in reply to his thoughts; | "you have been bad tempered, | and you have behaved unkindly to a poor animal who did not deserve such treatment. | I know you are higher than a dog, | but the advantage of being ruler of a great empire is not in doing all the harm one wishes, but in doing all the good one can." |
The preferred KISS explanation is simply to consider the "he heard in reply to his thoughts" as an interjection.
     Because most grammar textbooks do not even deal with this question, you can, of course, explain it however you wish. I should note, however, that this is the explanation used in KISS statistical studies. If you consider everything in quotation marks to be the direct object of "heard," then you would have one 67-word main clause. Analyzed from the KISS perspective, the passage has five main clauses, or 13.4 words per main clause.

The Sequence of Exercises in this Section

     The first section is a single exercise that explores sentences in which clauses can be considered either main or subordinate, with or without quotation marks. The second exercise focuses on subordinate clauses that function as interjections. Some of these sentences would fit in section three and, but others are what rhetoricians call "parenthetical expressions." These tend to be set off by dashes or parentheses, as in "That island -- wherever it is -- is a tropical paradise." Sectionthree (two exercises) deals directly with the interjection vs. direct object explanations. The exercise from Smollett’s Humphry Clinker, although outdated, clearly lends support to the KISS view of this construction because Smollett used parentheses to set off what traditional grammars would probably consider the main subject and verb:

"This poor Turk, (said he) notwithstanding his grey beard, is a green-horn -- He has been several years resident in London, and still is ignorant of our  political revolutions." 
Section four (two exercises) gives students sentences from which the punctuation has been deleted and asks them to supply it. It is important to discuss these in class and then share the original because not every writer would punctuate them in the same way. Section Five is a single passage for analysis, and the sixth is a Treasure Hunt/Recipe Roster. 

Suggested Directions for Analytical Exercises
1. Place parentheses ( ) around each prepositional phrase.
2. Underline verbs twice, their subjects once, and label complements (“PA,” “PN,” “IO,” or  “DO”).
3. Place brackets [ ] around each subordinate clause. If the clause functions as a noun, label its function. If it functions as an adjective or adverb, draw an arrow from the opening bracket to the word that the clause modifies. If it functions as an interjection, label it “Inj.”
4. Place a vertical line after each main clause.

For review, add:
5. Label each interjection (“Inj”), each noun used as an adverb (“NuA”), and each example of direct address (“DirA”).
 
1 - Main Clause or Subordinate?
From Andersen's "The Snow Queen" AK ToC G6
2 - Subordinate Clauses as Interjections
Instructional Material
"The Snail's Dream," by Oliver Herford AK ToC G5; IG5
From 20,000 Leagues Under the Seas, by Jules Verne AK ToC G6
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
From "The Lost Phoebe," by Dreiser (S 5) Text AK ToC  G10
From "The Lady from Redhorse," by Ambrose Bierce AK ToC  G11
3 (a & b) - Interjection or Direct Object?
Instructional Material
From Lang's "Thumbelina" (S 6) Text AK ToC G5b
From Vredenburg's "Bluebeard" Text AK ToC G6; IG5
From Vredenburg's My Favorite Fairy Tales AK ToC G6; IG5
Sherwood Anderson's "The Egg" Ex # 1 Text AK ToC G8
Sherwood Anderson's "The Egg" Ex # 2 " AK " -
From A Dog of Flanders by Ouida Ex # 1 (S 5) AK ToC G9
From A Dog of Flanders by Ouida Ex # 2 (S 2) AK " -
From A Dog of Flanders by Ouida Ex # 3 (S 4) AK " -
From A Dog of Flanders by Ouida Ex # 4 (S 3) AK " -
From A Dog of Flanders by Ouida Ex # 5 (S 2) AK " -
From A Dog of Flanders by Ouida Ex # 6 (S 3) AK " -
Tom Swifties # 1 (As Direct Objects - and Interjections) (S 5) AK ToC -
From Tobias Smollett's Humphry Clinker AK ToC G11
See also the Tom Swfties Page and
the Tom Swifties Alternatives to "Said"
4 (a & b) - Exercises on Punctuation
Ex. 4.a F rom "How the Camel Got His Hump" Original AK ToC G5-11
Ex. 4.b. From Lewis Carroll's Alice's Adventures in Wonderland Original AK ToC G5-11
5 - A Passage for Analysis
A 496-word Sentence from Pinocchio, by C. Collodi AK ToC G6
The End of Chapter Eight of The Giver, by Lois Lowry AK ToC G9
Exercise # 6 - Treasure Hunt (and/or Recipe Roster)
     Treasure Hunt (and/or Recipe Roster): Find and bring to class (and/or write) a sentence that can be described as having a subordinate clause that functions as an interjection.
     Creating an Exercise: In a story or book that you like, find three sentences that can be described as having subordinate clause that function as interjections. For your classmates, make an exercise with them; for your teacher, make an analysis key. (Remember that your teacher may use your exercise in future years.)