Sept. 28, 2013
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KISS Level 4 - Verbals (Gerunds, Gerundives, and Infinitives)

 Notes for Teachers
4.1 Mixed Exercises
4.2 A Focus on Gerunds
4.3 A Focus on Gerundives
4.4 A Focus on Infinitives

See also:

Verbals at KISS Level Two
Exploring Verbals in Fourth Grade
Notes for Teachers

      A verbal is a verb that functions as a noun, adjective, or adverb. In KISS Level Two (S/V/C patterns) students needed to learn how to distinguish finite verbs from non-finite, i.e., from verbals. Theoretically, a detailed study of verbals could immediately follow students’ mastery of S/V/C patterns, but there are two reasons for postponing such instruction. First, clause structure is much more important for an understanding of how sentences work. Second, there is a fair amount of both research and theory that suggests that one verbal (gerundives) is, to use Kellogg Hunt’s label, a “late-blooming” construction. KISS Level Four first appears in the sixth "grade-level" book, but this may be too early for some students.

Teaching Verbals

      Like finite verbs, verbals can have complements, are modified by adverbs, and have implied or stated subjects. Verbals are probably best learned if the single page of instructional material on them (“Identifying Verbals”) is simply added to the students’ analytical toolbox. Thus, students should continue to analyze and discuss sentences and passages from real texts—identifying prepositional phrases first, then S/V/C patterns, then clauses, and simply adding the identification of verbals. Such an approach enables students to see how various writers use verbals in a wide range of sentences. If there is time for such instruction, teachers can focus on the sentence-combining and other sentence manipulation exercises.
     The exercises on verbals are divided into four sections, comparable to the presentation of subordinate clauses (KISS Level 3.1). In that section, mixed subordinate clauses were introduced first. Thereafter, special focus was put on subordinate clauses as direct objects, then on adverbial clauses, then adjectival, and then on other noun clauses. Some students probably did not need most of the materials in the special focus sections. You may or may not have used the punctuation, stylistic, and/or logic-focused exercises in those special focus sections.
     Similarly, some students may easily master all three types of verbals by simply using the section on "Mixed Verbals." If they have problems, you can use the identification exercises in the three specific sections -- gerunds, gerundives, and infinitives. You should, however, take the specific sections in that sequence. Gerunds are relatively easy to identify. With gerunds basically mastered, gerundives are more easily understood. Finally, infinitives are most easily identified by the process of elimination—if a verbal is not a gerund and not a gerundive, it must be an infinitive. Infinitives are the most complex of the verbals, so you may want to at least browse that section before you decide to skip it.
 
Suggested General Directions for Analytical Exercises:
1. Put parentheses ( ) around each prepositional phrase. 
2. Underline subjects once, finite verbs twice, and label complements (“PN,” “PA,” “IO,” “DO”). 
3. Place brackets around each subordinate clause. If the clause functions as a noun, label its function ("PN," "IO," "DO," "OP") above the opening bracket. If it functions as an adjective or adverb, draw an arrow from the opening bracket to the word that the clause modifies.
4. Put a vertical line at the end of every main clause.
5. Put a box around every gerund and gerundive. If it is a gerund (i.e., it functions as a noun) indicate its function over the box. If it is a gerundive, draw an arrow to the word it modifies. 
6. Put an oval around every infinitive and indicate (as in three above) its function.
4.1 Mixed Exercises

    The three types of verbals can easily be taught simultaneously. Students who have been learning through the KISS Approach will recognize gerunds by their functions, i.e., they will see that they have already been labeling these words as subjects, direct objects, objects of prepositions, etc. Thus gerundives are best learned through the process of elimination—any verbs that end in “-ing,” “-ed,” or a few irregular forms (such as “written”) that are not finite and that do not function as gerunds are almost certainly gerundives. Any verb that is not finite, not a gerund, and not a gerundive, has to be an infinitive. There are no exceptions to this descriptive rule.
     You can, if you wish, slow the introduction of new material down by having students first do one or two exercises that focus separately on gerunds, gerundives, and then infinitives. Any randomly selected text will almost certainly contain a variety of clauses, main and subordinate. Verbals, however, are used less frequently. To be sure that there are verbals in the exercise text, you may therefore want to start with some of the exercises in this section.

The Exercises on "Mixed Verbals"

     Section One (four exercises) give students sentences with a variety of verbals and ask students to identify the type (gerund, gerundive, or infinitive) of the verbal and any complements.Section Two (one exercise) focuses on the subjects of verbals. The subjects of gerunds are in possessive case:

Tom's missing the season hurt the team.
The subjects of gerundives are the word or words that the gerundive modifies:
Susan, having hit a home run, was very happy.
The subjects of infinitives are either understood or in the objective case. In
Sarah wanted to wash the car.
everyone understands that Sarah will be doing the washing. In
Sarah wanted him to wash the car.
everyone knows that someone else (in this case, a male) should be doing the washing. The point here is that the subjects of verbals are not very hard to understand.
     Section Three provides two passages for analysis. Section Four (one exercise) focuses on style and asks students to combine sentences using verbals. The Fifth section is a "Just for Fun" analysis exercise.
 
Mixed - 1 (a - d) - Identification
Instructional Material
From Vredenburg's My Favorite Fairy Tales AK ToC G6
From the Writing of Sixth Graders AK ToC G6; IG6
From The Queen of the Pirate Isle, by Bret Harte AK ToC G6; IG6
From Black Beauty by Anna Sewell AK ToC G6; IG6
Based on Jack London's The Call of the Wild AK ToC G9
From A Tale of Two Cities, by Charles Dickens AK ToC G9; 1YM
Ayme, Marcel. From "The Walker-Through-Walls" AK ToC G9
Mixed - 2 - The Subjects of Verbals
Instructional Material
From 20,000 Leagues Under the Seas, by Jules Verne AK ToC G6
Based on Jack London's The Call of the Wild AK ToC G9
Mixed - 3 - (a and b) Passages for Analysis
From Vredenburg's "Bluebeard" Text AK ToC G6; IG6
"The High Dive," by a Sixth Grader AK ToC G6; IG6
From Chapter Three of Blue Willow, by Doris Gates AK ToC G7
Aesop's "The Wolf and the Lamb" AK ToC G8
Aesop's "The Ants and the Grasshopper"  AK ToC G9; IG6
"Cato the Younger" from Wikipedia AK ToC G9
Shakespeare's Sonnet # 29  "When in disgrace"  AK ToC G10
Shakespeare 's Sonnet # 146 "Poor soul"  AK ToC G11
From William Golding's "Thinking as a Hobby"  AK ToC G11
Mixed - 4 - Style - A Sentence-Combining Exercise
Aesop's "The Fox Who Had Lost His Tail" Original AK ToC G6
Aesop's "The Fox and the Crow" Original AK ToC G8
The Man and His Two Sweethearts (Townsend) Original AK ToC G9
From Bettelheim's The Uses of Enchantment Original AK ToC G11
Mixed - 5 - Just for Fun
"Home Economics" (There is one gerundive in this joke, but there are several interesting infinitives, including two that function as predicate nouns, which is statistically relatively rare.)  AK ToC G6
Tongue Twisters Ex # 3  AK ToC G7
Tongue Twisters Ex # 1 AK ToC G8
Tom Swifties Mixed Verbals Ex # 5  AK ToC G9
Tom Swifties Ex # 4  AK ToC G10
"Ice Fishing" (Humor)  AK ToC G11
4.2 A Focus on Gerunds

     Gerunds are the simplest verbals to understand. There are only two problems that I have seen students have with them. The first is in writing. Some students have trouble with gerunds as subjects. Thus, instead of writing "Playing baseball taught me a lot," you may get sentences such as "By playing baseball taught me a lot." KISS helps students with this problem back in  Level 1.5. - Adding Simple Prepositional Phrases. There students were taught to put prepositional phrases in parentheses, and if they did that with "By playing baseball," they found that they did not have a subject for "taught." The second problem is not just analytical -- it may involve reading skills. Instead of seeing "Playing" as the subject of our sample sentence, some students may argue that "baseball" is the subject. Usually, one or two other examples of gerunds as subjects convince such students. For example, "Watching people is educational." Most students will agree that the verb here should be "is" and not "are." In addition, students easily see that "People is educational" is not what the sentence means. Thus the gerund "Watching" is the subject.

The Exercises on Gerunds

     Section One includes two exercises that focus on identification. Section Two (one exercise) provides more practice with the subjects of gerunds. Section Three is an exercise on a construction that frequently raises questions. In a sentence such as "They went hunting," how does one explain "hunting"? In KISS, we simply consider it to be a gerund that functions as a Noun Used as an Adverb. (Gerunds can function in any way that a noun can.) Section Four is  a "Treasure Hunt."
 

Gerunds - 1 (a and b) - Identification
Gerunds (#1) AK ToC G6-8; IG 6
Gerunds (#2) AK ToC G9-11; IG 6
From 20,000 Leagues Under the Seas, by Jules Verne AK ToC G6
From A Dog of Flanders by Ouida AK ToC G9
Tom Swifties AK ToC G10
Gerunds - 2 - The Subjects of Gerunds
* Adapted from Beveridge's English for Use AK ToC G6-11; IG6
Gerunds - 3 - As Nouns Used as Adverbs
From 20,000 Leagues Under the Seas, by Jules Verne AK ToC G6; IG6
Based on Jack London's The Call of the Wild AK ToC G9
Gerunds - 4 - A Treasure Hunt
     Find five sentences that include a gerund and make an exercise (with an analysis key).
4.3 A Focus on Gerundives

     Gerundives are the most important verbal for students to study. You will not find the term "gerundive" in most, if any, current grammar textbooks—they use the term "participle." But the problem with the term "participle" is that it refers to the form, not the function, of gerundives. In "They were playing in the park," for example, "playing" is a participle, but it is part of the finite verb phrase. In "Playing in the park, they had a good time," "Playing" is also a "participle" in form, and it is so explained in  most textbooks. But in this case "Playing" functions as an adjective to "they." Using one term for two different functions confuses both students and some teachers. 
     Gerundives also have an adverbial function, but KISS focuses on their adjectival function for the simple reason that misplaced (sometimes called "dangling") modifiers are almost always the result of students not seeing the adjectival function of gerundives. For example, a student wrote "Thrown from the car, he saw her lying on the ground." The student meant that she had been thrown from the car, but most readers would see "Thrown" as chunking to "he."

The Exercises on Gerundives

     Section One (two exercises) simply helps students identify gerundives and their adjectival function. Section Two (one exercise) is a passage for analysis that can be used for the same purpose. The stylistic possibilities of gerundives raise the question of whether or not gerundive phrases should be set off by commas. Some textbooks either say or imply that they should be, especially when they come at the beginning of a sentence. You will find, however, that many writers do not follow these rules. Section Three (one exercise) invites students to explore this punctuation question.
     Sections Four, Five, and Six focus on style. Stylistically, understanding gerundives is far more important than understanding either gerunds or infinitives. Gerundives offer more stylistic options. Consider the sentence:

Terri was walking in the park, and she saw a beautiful bird.
This can be rewritten as a subordinate clause:
When she was walking in the park, Terri saw a beautiful bird.
But it can also be rewritten with a gerundive:
Walking in the park, Terri saw a beautiful bird.
Section Four (one exercise) asks students to take sentences written as main clauses, and (as in the preceding example)  rewrite them by making one clause subordinate and rewrite it again by making that subordinate clause a gerundive. Section Five (two exercises) provides students with practice in stylistic flexibility. They skip the clause part, and simply ask students to rewrite sentences by making a gerundive a finite verb or by making a finite verb a gerundive.
     Section Six is one "Free Sentence-Combining" exercise. In this case, however, the texts chosen for the exercise include a fair number of gerundives. As in all such "free" exercises, the original text has been de-combined into short sentences. Although this is a "free" exercise, the directions do ask students to use gerundives as they combine the sentences.
     Section Seven, ("Just for Fun,") is the same in all of the "grade-level" books—Robert Southey's humorous poem, "The Cataract of Lodore." Its humor derives from the overwhelming number of gerundives that Southey used to describe the water as it flows down the cataract. Eight is a "Treasure Hunt."
 
Gerundives - 1 (a and b)  - Identification
From "The Metal King" Text AK ToC -
From Vredenburg's "The White Cat" Text AK ToC G6
From The Secret Garden, by Frances Hodgson Burnett AK ToC G6; IG 6
From Heidi, by Johanna Spyri AK ToC G7; IG6
From Sherwood Anderson's "The Egg" Text AK ToC G8
From Advent of Dying by Sister Carol Anne O'Marie # 1 AK ToC G9
From Stephen Crane's "The Blue Hotel" AK ToC G9; 1YM
From Advent of Dying by Sister Carol Anne O'Marie AK ToC G10
From “Old Put” The Patriot, by Frederick A. Ober AK ToC G10
From Conrad's "The Lagoon," Ex # 1 [Simple] Text AK ToC G11
From Conrad's "The Lagoon," Ex # 3 [Moderate Complexity] Text AK ToC 1YM
From Conrad's "The Lagoon," Ex # 4 [Advanced] " AK " G11
Gerundives - 2 - A Passage for Analysis 
From Vredenburg's "The White Cat" Text AK ToC G6; IG6
Macbeth (5.5.23-27) "Life's but a walking shadow" AK ToC G8
     This is the famous "sound and fury" passage. It includes two gerundives, an appositive, and a post-positioned adjective.
Merchant of Venice (1.3.94-98) - "The devil can cite Scripture" AK ToC -
From Anton Chekov's "The Darling" AK ToC G9
From A Dog of Flanders by Ouida, Ex # 3 (99 W) AK ToC G10
Golding, William, "Thinking as a Hobby," Ex # 3 Text AK ToC G11
Gerundives - 3 - Punctuation
From Vredenburg's "Bluebeard" Text AK ToC G6
From "A Lady from Redhorse," by Ambrose Bierce AK ToC G9
4 - From Main Clause to Sub Clause to Gerundive
[Five Sentences]
Instructional Material
See also the exercises in the P/A section.
From The Queen of the Pirate Isle, by Bret Harte AK ToC G6
Nesbit's Version of Shakespeare's Pericles Text AK ToC G8
From Stephen Crane's "The Blue Hotel" AK ToC G9; 1YM
Old Exercises That Don't Match the Format
From "The Metal King" Text AK ToC -
Ex # 1 Clauses with the same subjects AK ToC -
5 (a and b) - Rewriting Gerundives as Finite Verbs
and Finite Verbs as Gerundives
[Five Sentences Each Way]
Adapted from Beveridge's English for Use AK ToC G6
From Heidi, by Johanna Spyri AK ToC G6
From A Dog of Flanders by Ouida AK ToC G9
From Treasue Island, by Robert Louis Stevenson AK ToC G9
Gerundives - 6 - Free Sentence-Combining
Aesop's "The Jackdaw and the Doves"  Original AK ToC G6
Shadow Rabbits (Humor) Original AK ToC G7
From Advent of Dying by Sister Carol Anne O'Marie AK ToC G9
Gerundives - 7 - Just for Fun
* RobertSouthey, "The Cataract of Lodore"
AK ToC G6-11; IG6
Tom Swifties AK ToC -
Gerundives - 8 - A Treasure Hunt
     Find five sentences that include a gerundive and make an exercise (with an analysis key).
4.4 A Focus on Infinitives

     Infinitives cannot be manipulated in the way that gerundives can be, and, if students use the analytical method (sequence) for identifying the types of verbals, they will have few problems with them. The workbooks, however, include more exercises on infinitives than they do on gerundives because unlike gerundives, which can always be explained as adjectives, infinitives can function as adjectives, adverbs, or in almost any way that a noun can. Because you will not find all of these functions in any given text, the workbooks include exercises that focus on the various functions.

The Exercises on Infinitives

     Section One (two exercises) focuses on identifying all the functions (noun, adjective, or adverb) of infinitives. Section Two (one exercise) provides practice on the subjects of infinitives.
Section Three provides an exercise on infinitives as subjects and/or complements -- "To know her is to love her." And, because they are relatively rare, Section Four explores infinitives that function as objects of prepositions, as in "They could do nothing but laugh." Section Five (two exercises) focuses on infinitives that function as adjectives or adverbs.
     In Section Six, two exercises are devoted to "ellipsed infinitives." These are important analytically for students' ability to understand and discuss sentence structure. Most grammar textbooks include explanations of "objective" and "subjective" complements, two concepts that I have never been able to understand because different books explain them differently. For example, in the sentence

They elected him president.
some grammar textbooks might describe "president" as an "objective" complement whereas others might call it a "subjective" complement. 
     From the KISS perspective, "him president" is better explained as an ellipsed infinitive phrase ("him *to be* president") in which "him" is the subject of, and "president" is a predicate noun after, an ellipsed "to be." The infinitive phrase is then the direct object of "elected." This perspective enables KISS to completely eliminate the confusing explanations of "objective" and "subjective" complements.
     This KISS approach is also, I would suggest, more consistent in naming the types of complements. In a sentence such as "They considered the trip wonderful," the textbooks still call "wonderful" either an objective or subjective complement.  KISS, however, clearly distinguishes the difference in function between "president" and "wonderful." "Wonderful" is a predicate adjective in its ellipsed infinitive construction.
Ellipsed infinitives usually drop a form of "to be." In many cases, this is not only easily seen, but also said:
They elected him *to be* president.
They considered the trip *to be* wonderful.
In other words, the ellipsed form is a variant of a standard form. But if students are going to learn this, it is easily extended to cases in which the "to be" would never appear. No one, for example, would say "You may call me to be foolish." But the underlying structure of "You may call me foolish" is the same as that in "They considered the trip wonderful." Thus, rather than trying to introduce the confusing "objective" and/or "subjective" complements, KISS considers "me foolish" as an ellipsed infinitive construction that functions as the direct object of "call."
     Section Seven presents two passages for analysis; eight, a "Treasure Hunt."
 
1 (a and b) - Mixed Infinitives
Mixed Infinitives (Maxwell L4 04) AK ToC G6; IG 6
From Black Beauty by Anna Sewell AK ToC G6; IG 6
Mixed Infinitives (Maxwell L4 05) AK ToC G9
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
From A Dog of Flanders by Ouida, Ex # 6 (N - Other) AK ToC -
Mixed Infinitives (Maxwell L4 06) AK ToC G10
Tom Swifties AK ToC G10
Mixed Infinitives (Maxwell L4 07) AK ToC G11
2 - Subjects of Infinitives
From "Snow Queen," by H. C. Andersen AK ToC G6; IG6
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
3 - Infinitives as Subjects and Complements
From The Secret Garden, by Frances Hodgson Burnett AK ToC G6; IG6
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
From A Dog of Flanders by Ouida, Ex # 5 (Subj and PN) AK ToC G10
4 - Infinitives as Objects of Prepositions
Instructional Material
From Black Beauty by Anna Sewell AK ToC G6; IG6
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
5 (a and b) - 
Infinitives as Adjectives, Adverbs or Interjections
Infinitives as Adjectives or Adverbs (# 1) AK ToC G6; IG6
From Vredenburg's My Favorite Fairy Tales AK ToC G6; IG6
Infinitives as Adjectives or Adverbs (# 2) AK ToC G7
From A Dog of Flanders by Ouida, Ex # 1 (Adj ? Adv) AK ToC G8
From A Dog of Flanders by Ouida, Ex # 2 (Adj ? Adv) AK ToC G9
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
6 (a and b) - Ellipsed Infinitives
Instructional Material
From The Secret Garden, by Frances Hodgson Burnett AK ToC G6; IG6
From Heidi, by Johanna Spyri AK ToC G6; IG6
FromThe Master of Ballantrae, by R. L. Stevenson AK ToC G9; IG8
From Jack London's The Call of the Wild AK ToC G9; IG8
Infinitives - 7 (a and b) - Passages for Analysis
"H.M.S. Endeavour," by John Batchelor [paragraph 1 of 2] AK ToC G6; IG8
"H.M.S. Endeavour," by John Batchelor [paragraph 2 of 2] AK ToC G6; IG8
Aesop's Fables "The Wolf and the Housedog" AK ToC G7; IG6
From Jack London's The Call of the Wild AK ToC G9
"The Grief of Henry Adams," by Allen Guttmann AK ToC G9
Shakespeare's Merchant of Venice (2.9.36-39) AK ToC G10
Aesop's "Belling the Cat" (Milo Winter) AK ToC G10
8 - A Treasure Hunt for Infinitives
     Find five sentences that include an infinitive and make an exercise (with an analysis key). Include at least one infinitive  used as a noun, one as an adverb, and one as an adjective.
Old, Now Unused Exercises
Gerunds and Gerundives (Maxwell L4 01) ToC G9
Gerunds and Gerundives (Maxwell L4 02) ToC G8
Gerunds and Gerundives (Maxwell L4 03) ToC G11
From "The Metal King" Text AK ToC -