June 26, 2012
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KISS Level 5.8 - Noun Absolutes

Notes for Teachers
Ex 1 (a - c) - Noun Absolutes as Adverbs
Ex 2 - Rewriting Sentences by Using Noun Absolutes
Ex 3 (a-b)- Noun Absolutes as Nouns
Ex 4 - A Passage for Analysis
Exercises Not Included in the Grade-Level Books
Notes for Teachers

     Noun Absolutes are the last construction that students need to learn. They are rarely discussed in grammar textbooks, simply because one needs to be able to identify clauses and verbals before absolutes make much sense. A noun absolute consists of a noun plus a gerundive. The adverbial function of absolutes, as in the following sentence from Black Beauty, is universally accepted by grammarians.

So we went on, John chuckling all the way home

Frequently, the gerundive "being" is ellipsed, as in the following from Theodore Dreiser's "The Lost Phoebe":

He fell asleep after a time, his head *being* on his knees

     That noun absolutes also function as nouns is generally ignored or denied by many grammarians, probably because they don't read enough or think. One of the reasons for their failures is that academics, generally, are too much influenced by scientific fields in which "new information" is crucial. Thus, even though he is acknowledged as one of the two greatest early twentieth century grammarians, graduate students in English or Linguistics rarely study the work of  George O. Curme. 
     In Volume II of his A Grammar of the English Language (Essex, Conn. Verbatin, 1931, 1986), Curme discusses the Nominative Absolute in Subject Clauses, and gives, among his examples,

She and her sister both being sick makes hard work 
for the rest of the family. (157)

Despite the differences in grammatical terminology, "She and her sister both being sick" is a noun absolute that functions as the subject of "makes."
     Curme also gives an example of what we can call a noun absolute used as a predicate noun:

Cities are man justifying himself to God. (158)

The key question here is meaning. In other words, if we tried to consider "man" as a predicate noun, the explanation would suggest that "Cities" = "man" modified by the gerundive "justifying." But the "justifying" is just as important as is "man." And the equal importance of "man" and "justifying" is better explained grammatically by considering "man justifying himself" as a noun absolute construction.
     Curme also gives examples of what we can consider noun absolutes that function as 1.) an object of a preposition, and 2.) an appositive:

1.) She is lonesome with her husband so much away. (155)

2.) Well, that is just our way, exactly -- one half of the administration always busy getting the family into trouble, the other half busy getting it out again. (158) [From Mark Twain]

He does not give examples of the noun absolute functioning as a direct object, but if we accept his logic and other examples, it is easy to see many such cases. A simple example is the following sentence from Black Beauty:

I don't like to see them held up

To say that "them" is the direct object of "don't like" is surely contrary to the meaning of the sentence. What isn't liked is "them *being* held up." If we want a descriptive grammar that aligns the grammar with meaning, the noun absolute that functions as a noun is a very sensible construction.

A Question of Interpretation?

     In some cases, the difference between explaining a construction as a noun absolute or as a noun modified by a gerundive may be a question of interpretation. Consider the following part of a sentence from The Dark Frigate by Charles Boardman Hawes:

Phil Marsham … watched men stripped to the waist and moving deftly among the guns ….
“Men” can be described as the direct object of “watched,” and “stripped” as a gerundive that modifies “men.” But “men stripped” might also be explained as a noun absolute that functions as the direct object of “watched.” Viewing it as a noun absolute, however, suggests that one is watching the men being stripped (the action), whereas viewing “stripped” as a gerundive suggests that the action has finished and one is watching men who have been stripped. "Men . . . moving," however, does make sense, perhaps more sense when viewed as a noun absolute. As part of an absolute "moving" becomes part of the direct object. In other words, what was watched was not just the men, but also their movement.

A Preview of the Exercises

     The first exercises (1. a, b, and c) focus on identifying noun absolutes that function as adverbs. The second exercise is stylistic. It asks students to rewrite noun absolutes as clauses and then clauses as noun absolutes. For example:

Subordinate Clause: While his feet were sinking into the mud, Jim sloshed along the creekbed.
Noun Absolute: His feet sinking into the mud, Jim sloshed along the creekbed.
Exercises three (a ? b) explore noun absolutes that function as nouns, and the last exercises (four a ? b) are passages for analysis.
     Note that you can fruitfully extend these exercises by asking students to find (and/or write) sentences that include noun absolutes.
 
Suggested Directions for Analytical Exercises 
      The following directions should enable students to explain every word in any text. Students who have been working within the KISS Approach will have been using almost all of these “Directions,” ideally for a few years. Thus, most of this should be automatic for them. You can, of course, reduce the directions in several ways, one being skipping the functions of clauses and verbals, and another being to limit # 5 just to noun absolutes.
(Work sentence-by-sentence.)
1. Put parentheses ( ) around each prepositional phrase.
2. Underline subjects once, finite verbs twice, and label complements ("PN," "PA," "IO," "DO"). 
3. Place brackets around each subordinate clause. If the clause functions as a noun, label its function above the opening bracket. If it functions as an adjective or adverb, draw an arrow from the opening bracket to the word that the clause modifies. Put a vertical line at the end of every main clause. 
4. Put a box around every gerund and gerundive. If it is a gerund (i.e., it functions as a noun) indicate its function over the box. If it is a gerundive, draw an arrow to the word it modifies. Put an oval around every infinitive and indicate (as in three above) its function. 
5. Use the following labels for the additional constructions: 
NuA -- Noun used as an Adverb 
App -- Appositive 
Inj -- Interjection 
DirA -- Direct Address 
DS -- Delayed Subject 
PPA -- Post-Positioned Adjective 
Put an “R” before complements that are retained  (RDO, RPN, RPA) 
NAbs -- Noun Absolute (Put a wavy line under each noun absolute and label its function.
Probable Time Required
     This is the last construction that students need to learn in order to explain the function of “every” word in any sentence. Thus you can take as much time as you want or need. Students who have learned to identify the other construction in real texts should have few, if any, problems with noun absolutes.
Exercises 1 (a - c) Noun Absolutes as Adverbs
Instructional Material
From Lassie, Come Home, by Eric Knight AK ToC G6
From Black Beauty by Anna Sewell AK ToC G6
From The Secret Garden, by Frances Hodgson Burnett AK ToC G6; IG8
From 20,000 Leagues Under the Seas, by Jules Verne AK ToC G9; IG8
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
Adverbial - From Treasue Island, by Robert Louis Stevenson AK ToC G9
Dreiser's "The Lost Phoebe," Ex #1 Text AK ToC G10
Dreiser's "The Lost Phoebe," Ex # 2 Text AK ToC G10
Dreiser's "The Lost Phoebe," Ex # 3 Text AK ToC G10
From "The Lagoon," by Joseph Conrad Text AK ToC G11
Exercise 2 - 
Rewriting Sentences by Using Noun Absolutes
From Heidi, by Johanna Spyri AK ToC G6; IG8
Floating Down the Mississippi on Twain’s Parallel Noun Absolutes from Life on the Mississippi (A Study in Absolute Style:) Original AK ToC G9
From the "Disposition of the Fable" in A Study of Literature (for Readers and Critics), D. Daiches, 1968  AK ToC G11
Exercises 3 (a-b) Noun Absolutes as Nouns
Notes for Teachers
From Lassie, Come Home, by Eric Knight AK ToC G6
As Nouns  - From Black Beauty by Anna Sewell AK ToC G6
Tom Swifties - Gerundives or Noun Absolutes? AK ToC G7
From The Master of Ballantrae, by R. L. Stevenson AK ToC G9
From A Tale of Two Cities, by Charles Dickens AK ToC G9
From "The Lagoon," by Conrad, Ex # 1 Text AK ToC G11
From "The Lagoon," by Conrad, Ex # 2 Text AK ToC -
From "The Lagoon," by Conrad, Ex # 3 Text AK ToC G11
Exercises 4 (a-b) A Passage for Analysis
From Lassie, Come Home, by Eric Knight AK ToC G6
Ex # 3 From The Dark Frigate, by Charles B. Hawes AK ToC G6
A Long Adverbial Noun Absolute - The Opening Paragraph of Treasure Island [This text is one 90-word main clause that begins with a 48-word noun absolute.] AK ToC G9
Ex # 3 from The King Must Die, by Mary Renault Punct AK ToC G9
From “Old Put” The Patriot, by Frederick A. Ober  AK ToC G10
The Opening Paragraphs of William Golding's The Inheritors AK ToC G11
From Emily Bronte's Wuthering Heights AK ToC G11
This selection is also excellent for comparison/contrast and parallel constructions.
Exercises Not Included in the Grade-Level Books
      The exercises below were developed before the new organization of the grade-level books, and they do not fit the new format.
Noun Absolutes as Direct Objects
From Dreiser's "The Lost Phoebe," Ex #5 - (DO) Text AK ToC IG10
Noun Absolutes as Objects of Prepositions
Ex # 1 from Black Beauty by Anna Sewell AK ToC -
Ex # 2 from Black Beauty by Anna Sewell AK ToC IG10
From Dreiser's "The Lost Phoebe," Ex #4 -  (OP) Text AK ToC IG10
Slides - Appositives or Noun Absolutes?
Appositives, Noun Absolutes, or Both? (Golding's "Thinking," Ex # 5) AK Text ToC IG12
Other
From Golding's "Thinking as a Hobby," Ex # 7 Text AK ToC -